Recent Portrait: Kim Gordon and Bill Nace for HUCK magazine

Toward the end of last year I was tasked with photographing the band Body/Head which consisted of Bill Nace and Kim Gordon (formerly of Sonic Youth). The current issue of Huck carries my image of them on the cover. It was the last picture I took on the shoot I took it with a polaroid passport camera (which sadly you can no longer buy film for). Below are some out-takes from the shoot.

And the cover as it ran on HUCK magazine

Recent Short Film // Client: Dainese

Just before Christmas I was flown out to Italy to shoot a stills look-book for the Italian company Dainese, a company best know for the body protection wear for motorcycling and winter sports. We were however shooting their new range of outerwear. I'll pop some of the results of that when I can. However after completing that commission I was asked to stay on and help shoot a short documentary on the Downhill Ski World Cup with the filmmaker Ben Marshall. The video below is the result of that collaboration.

Recent Portrait: Doug Coupland

This was one of those situations where you spend ages planning the shoot in your head, reading up about the subject, reccing potential locations at the right time of day, figuring out where the sun will be etc etc only to turn up and it all go out the window. The powers that be wield their wills. Your shoot ends up being crammed into a few frightful minutes, in which you try to cobble together something that works whilst trying not to look like you're in a total flap, meanwhile suppressing your immense annoyance that all your ideas have been ejected out of the window and are lying in pieces in the road. By all accounts, a typical day for a portrait photographer.

Recent Portrait: Dane Douetil, BMS

Two images from a portrait commission in London I had in the autumn of last year

Recent Tearsheet // Robbie Honey for Christie's Magazine

I was recently commissioned to photographed Robbie Honey, a London based high-end florist as he went about a normal day arranging flowers for one of his UK clients. It started with an early start at New Covent Garden flower market followed by a visit to a property near Sloane Square. Robbie was great to work with throughout - incredibly patient and with a keen eye for detail - a man with a true passion for his work.

RECENT FEATURE: A Multitude of Nows, HUCK magazine

 

I was recently excited to be asked to submit some images for the HUCK magazine photo special along with an artist statement about the work. I love HUCK magazine and it's design and the team behind it are always super excited by new work and generally very supportive. It provided me with an opportunity to show some images I've been shooting recently using a camera known as a Widelux, but as of yet haven't showcased anywhere. The final 3-page spread is above and I've included the written statement below. At some point I'm going to get the project up onto the website - so watch this space.

Ever since I was a kid, I've always been fascinated with the concept of the camera - an object small enough to put in your pocket that has the ability to capture and freeze a moment for eternity. A few years ago I was killing time on a rainy afternoon in one of London's last-standing bookshops and I spied a book by a photographer that would change the way I thought about the power of the image forever.

In the introduction, the photographer explained that the images in the book, photographed over a period of twenty years, had all been shot at 1/250th of a second. This meant that images that represented two decades of his life amounted to less than one second in actual time. He was representing twenty years in less time than it takes to click your fingers. It got me thinking of the randomness of the captured moment, what Henri Cartier-Bresson had always defined as the ‘decisive moment’ - that split second when all elements come together to create the perfect photograph. An image snapped a fraction of a second later, two centimetres to the left or right, would be its own unique moment - a different interpretation of the moment altogether. That has always been one of the great challenges with photography: how, as a photographer, do you go about catching the decisive moment when there are so many odds stacked against you?

A few years after this revelation, I met a man in Hong Kong. In amongst the hustle and bustle and high-rise chaos that defines that city, he offered to sell me a camera that could not only take in a wider panorama than the human eye, it could also capture more than that precious single sliver of time – and deliver it all in a single frame. This little-known Japanese camera from the 1940s, a heavy hunk of metal made up of cogs and springs, was known as a Widelux. The camera itself has a revolving lens which, when you press the shutter, moves from left to right across the frame, capturing 140 degrees of view onto standard 35mm film. Because the lens moves (taking a full two seconds to move left to right on the slowest shutter speed, creating 1/15th second exposure) it's not actually catching a single moment in time. In effect, the camera becomes something unique, somewhere between a stills camera and a movie camera - yet it still gives you a single image.

I found this fascinating. The concept of the decisive moment becomes fundamentally changed. You're no longer capturing that so-called split second - what we commonly think of as a snapshot. In essence, you’re capturing a larger chunk of a rolling moment and across a much wider frame. What you capture on the right-hand side of the image may have taken place milliseconds after what’s captured on the left. It becomes more of a challenge to create a clear, concise photograph but the final frame is in many ways far more immersive, and arguably more honest. And by that I mean that to frame is to exclude; so much in photography is not about what you show in the image but arguably what you chose not to show. With this camera it’s hard to exclude; its lens see’s so much that it creates a much more honest representation of the scene. It's a different way of working and requires a different way of seeing.

For me, photography is a way to explore and discover the world around me - it allows me to be curious, to ask questions and then to present my discoveries to others. I want my images to capture an essence of something - a feeling, an emotion - because I think that's the best way to communicate ideas and opinions; you need to engage the gut to engage the brain.

Recent Assignment: Save the Children, Central African Republic

I was recently commissioned to travel to the Central African Republic for Save the Children a cover a visit by their CEO Justin Forsyth, producing both film and stills. Whilst we were there the situation in country deteriorated rapidly with fighting breaking out across the region and leaving us trying to continue operating under tight restrictions. It was certainly an interesting time to be there, the country needs attention from the International Community to make sure it doesn't descend into bitter sectarian violence - it felt we were there just as the story was beginning to break. Hopefully the attention it's received in the last few weeks and the intervention of the French and African Forces will bring some stability.

A 3 year old who was shot in the arm and had to have it amputated, Bouar Hospital.

A child undergoes surgery in a Hospital with no electricity and one trained surgeon for 37,000 people

Local militia's patrolling in Bouar

French forces on the streets of the capital, Bangui

RECENT WORK // EY Advertising

I was recently commissioned to shoot a series of portraits that were to be used online and in printed media as part of campaign for the accountancy firm Ernst Young. Spotted this one online the other day - pretty happy with the results!

Recent Assignment: Save the Children, Malawi

I was recently given as assignment to go to Malawi and produce a video and stills package for a healthcare award run by Glaxo Smith Klein and Save the Children. The deadline was quite tight, I had two days in which to shoot everything I needed (stills and video) and then had to edit and deliver on the 3rd day. These types of assignments are always a challenge because you tend to work solo and have to be capable of doing everything, wearing all the different hats, and doing so in an unfamiliar, sometimes difficult environment. On this occasion I was very lucky to find some great local help on the ground, including a fixer who also knew his way around a camera (always handy). Below are some of the images from the assignment and also an edit I put together from the two days of shooting. 

bCPAPMalawi 4 from Greg Funnell on Vimeo.

And below are some little behind the scenes snaps: With Esther and her son at her home in Blantyre, Malawi

Ernest (my local fixer) shows a previous video he shot with Esther, to her and her family, for the first time.

Tips from the Road: Travel wallet

One thing that is definitely worth organising if you travel frequently is a travel wallet. For some this may seem obvious but hopefully for some others it may be useful. Below is a pic of my travel wallet.

Passport - two things I always try and make sure I have with regards to my passport is that it has a sticker on the spine. I use this to make it out in a pile; it's just a marker so I can spot it quickly. This is useful when you find your passport being mixed in with a number of others at things like checkpoints or if you're travelling in a group. It's a quick marker that allows you to keep tabs on it. I also try and always have my passport contained in a clear plastic bag. This is designed to keep it dry and clean from spillages etc or if your bag/wallet goes in the water. Another thing to check with your passport is to keep an eye on the expiry date (you normally need six months remaining) and the number of pages you have left (it's good to have at least two clear).

Spare passport photos - always worth having a few available as you never know when you're going to need them on forms, visas, applications etc. I learnt is the hard way having to find a passport photo studio in Beirut and the whole process being an utter faff. (Besides they're good to have a laugh at later - both of those in the above picture were from a while back now)

European health insurance card/air miles cards – just good to always have these handy.

Spare business cards – never know when you might need them and it’s good to always know you’ve got back-ups

Spare dollars – Dollars are king. Wherever you are in the world they can help get you out of a sticky situation.

Spare home currency - always good to have emergency cash in your home currency in case you return to find your wallet or bag lost.

Yellow Fever Certificate - a few countries need this for entry. The number of times I've seen people getting hassle because they don't have it on them – for that reason alone it seems always carrying it with you when you travel.

Vaccinations card - it's always good to know what you've had and what your up to date with

Paper clip - if like me you carry a spare iPhone for local sims then this is always useful. Getting the sim out is much easier if you have a paper lip to hand!

Copy of your passport and copy of your travel insurance documents (although worth keeping a copy elsewhere too otherwise it kind of defeats the purpose!)

That's all for now - hopefully there's some little nuggets there that will be of use to someone! If you found it useful you might want to read this article on what's in my travel 'grab bag'.