I was recently commissioned by HUCK magazine to create a series
of 3 images that they could run in their Special photography issue that was published
in November 2013. At first we discussed what direction I would take with it as
they wanted to do something that was a bit different and yet it needed to be something we could do in a short space in
time and one that would reproduce well for the magazine. Initially we had been
discussing some ideas involving a camera obscura - but felt it might be tricky
to make something work in the time frame. I took this idea though and scaled it
down - rather than create a room sized camera obscura - we could use the same
basic technique at a more manageable size - the answer it seemed was to produce
a pin-hole camera. Given the time frame it seemed sensible to do this
digitally.
The drilled hole on the body cap (above) and the cinefoil behind the hole reducing it's size further (top) |
The technique for doing so is relatively simple; you need to make
a small precise hole that will allow light to fall onto the cameras sensor.
After a bit of research I realised the optimum size for this needed to be about
0.3mm, and the best way to achieve this would be to use a pin to penetrate a
material but not to pass through it. Obviously you don't want light being
reflected and bouncing around inside so the material needs to be dark. I
figured the best way to do this was to drill a hole in a spare body cap and
then use a hole in some cinefoil which was taped with black tape on the inside.
Another bit of tape on the front acts as a rudimentary lens-cap (but only for
stopping dust entering and the shutter still needs to be fired). This technique
gives you roughly an equivalent frame of a 50mm lens - not ideal for landscapes
but certainly useable.
If you're interested in catching the rest of the issue (well worth a read in my opinion) look out for it in all good newsagents.
1 comment:
Interesting! I want to try this. Love the resulting images
Lucy
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